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Investigating Creative Writing Advice: Never Use Passive Voice

When it comes to writing, there are all sorts of rules and pieces of advice that you’ll hear from different people. Some of it is good advice, while other bits are nothing more than personal preferences masquerading as hard-and-fast rules. Today, we’re going to take a look at one of those bits of advice: never use the passive voice. Let’s take a closer look at this writing advice and see if it holds up under scrutiny.

The passive voice is often seen as bad, mainly because it can make writing sound dull, wordier, and sometimes less clear. However, there are times when the passive voice can be used to your advantage. For example, if you want to downplay the importance of something, using the passive voice can help you do that.

Now, before we dive in, it’s important to understand what the passive voice is. In a nutshell, the passive voice happens when the subject of a sentence is being acted upon by the verb. For example:

The door was closed by a gust of wind.

In this sentence, “the door” is the subject and “was closed” is the verb. The sentence is in the passive voice because the subject (the door) is not doing anything; it’s being acted upon by something else (the wind).

So now that we know what the passive voice is, let’s talk about whether or not you should avoid it at all costs.

Well, the answer is…maybe. You see, there are times when using the passive voice can be perfectly acceptable (even preferable). For example, you may want to draw attention to your character (the ‘doer’). In this case, using the passive voice can actually be helpful because it takes the focus off of the action itself. If you want to put the focus on the action, an active voice works great.

So, let’s consider the above sentence re-written in the active voice:

A gust of wind closed the door.

The active voice can make a difference, but it’s not always best.

Would you like a hack for checking whether you are writing in an active or passive voice? Next time you’re starting to write a sentence and find yourself using the word “was,” you may be writing in a passive voice.

So, what’s the verdict? Is the advice to never use the passive voice always good advice? No, it’s not. There are times when the passive voice can be used effectively.

Do you have any other questions about the passive voice? Let me know here. Happy writing!

Want to read something similar? Check out the following!

Investigating Creative Writing Advice: Show, Don’t Tell.
Investigating Creative Writing Advice: Write What You Know

Categories
Craft

Investigating Creative Writing Advice: Write What You Know

‘Write what you know’ is one of those common phrases that gets thrown around Creative Writing classrooms, sometimes without too much explanation of what it actually means.

As a Creative Writing tutor and coach, I’ve always gone into detail with students and clients about what I mean when I say this – and now I’m going to explain it to you!

Some people get confused when faced with this phrase, as they think it limits them to writing about the ‘real world’ or their personal world and experiences only.

However, this is not the case. One can write about a world filled with dragons and monsters and still be writing what they know. I’m not saying that one actually thinks they are in a dragon-filled land (although really, who am I to comment), but rather that writing what you know is not to be taken in such a literal way.

So what does it mean then?

It means that you should draw on your experiences to add value, realism and emotion to your writing. When Tolkien wrote Lord of the Rings, he was not drawing on his experience of traversing mountainous lands with an elf beside him. He was drawing on his experience of:

  • Friendship and relationships
  • Storytelling
  • Geography
  • People
  • History
  • Religion

It was this knowledge that helped Tolkien write such an epic fantasy series.

Writing what you know, coupled with imagination, can equal a wondrous creation.

For example, you may be writing about a soldier leaving his family and joining the Second World War.

Now, chances are that you weren’t around during the Second World War, so how can you write what you know when it comes to this? Well, you may have experienced true heartbreak. You may have missed somebody dreadfully. You may know what it is like to do without or to focus on a smaller picture just so you can get through the day.

These are all elements of knowledge and experience that could add real depth to a character’s journey and story.

Writing what you know doesn’t mean you can only write about a thirty-year-old living in the UK. It means you should draw from your life experiences and the emotion that has ever driven you and pour it into your fictional work to create believable tales of depth and beauty.

I hope this blog post has helped you better understand what ‘write what you know’ means and show you how you can introduce it into your writing.

Do you have any creative writing advice you have heard that you would like me to investigate and break down? Let me know here. 

Want to read something similar? Check out the following!

10 Ways to Grow as a Writer

How to Write Subplots in Your Novel

How to Find and Fix Plot Holes