Categories
Coaching

Five Things I Won’t Do as Your Editor and Coach

As an editor and writing coach, I’ve spoken at length about how I can help you. But there are things I won’t do, too. Let’s dig into them:

1: Force you to follow ‘the rules’ of writing a novel. I know the rules (after all, I studied them for eight years in higher education) and know that great things can happen when you break them. I will tell you the rule, give you the reasoning behind it, and let you know what I think is the right way forward, but ultimately, I will support whatever decision you make from there on out. The Promise, by Damon Galgut, breaks a heck of a lot of rules. It went on to win the Booker Prize in 2021. Writing is art, and sometimes art breaks the rules.

2: Use my experience to guide your journey. A coach is trained to facilitate growth in a niche area, and in my case, this is writing. Coaching is 80% client and 20% coach, meaning that a trained coach will pull a solution to a problem from your mind instead of their own. Why does this matter? Everyone has different backgrounds, levels of responsibility and pressure, working hours, etc. My writing journey has nothing to do with yours, and while I will share my experience if you ask, I will never expect you to do as I have done. There is a difference between a coach and a mentor. A mentor is someone who will share a personal experience and journey to help guide you in a similar one. A coach is someone who is trained to facilitate your own journey, using their knowledge to assist but not drive. A mentor does not need a qualification, but a coach does. Coaching is often believed to be an unregulated field. However, this is not the case. Coaching is regulated worldwide by the International Coaching Federation, so when looking for a coach, ensure the ICF accredits their course to confirm they know how to work in their field. I have trained as a coach in an ICF-accredited role and by doing an ILM Level 2 (equivalent to a GCSE, although now I’m showing my age!).

3: Put pressure on you to finish your work within a specific timeframe. Ask any of my clients, and you’ll find I am flexible when working together. There’s a reason for that. Writing, art, creation, and growth are not linear. We cannot expect someone to write a novel within twelve weeks just because that’s a package that has been purchased. If that’s what you want to do, I will work hard alongside you to help you achieve your goal, but if you decide that you need support over an extended period of time, that you need a break, that you would rather meet monthly than weekly, that’s what we will do. Magic happens when people are given space to discover their journey.

4: Change your unique writing voice and style. I edit while ensuring that your voice remains your own, and while I offer constructive feedback on clarity, how to create the best flow, and areas where a rewrite would strengthen the story, your voice is yours, and that’s something no one can copy or change. That means that I’ll also tell you when you’re writing something that doesn’t quite match your usual tone, too, so that we can provide a consistent reading experience across novels.

5: Force you into a ‘one size fits all’ framework. In editing and coaching, I work to ensure that I’m helping the reader in a way that they understand, can collaborate with, and engage with. There is no ‘one way’ to write a novel, and I don’t subscribe to the idea that all stories must fit within a specific structure (see point one!). Writing is a personal process, so whatever your process is, I will adapt to ensure you’re getting the most out of our time together. If you don’t know your process yet, we can explore that.

So, there are five things I will not do as an editor and coach! I’m almost booked for the entire year but have a few spaces left from June onwards. If you want to learn more, book a Discovery Call with me here.

Categories
Publishing

3 Things to Avoid When Querying Literary Agents

So, you are ready to query and know how to do it. (Hint – if you need some help, check out the bottom of this blog post for information on finding literary agents, beta agents, and which path is best for you). Here are the things to avoid when querying Literary Agents. 

1 – Sending Work Out Indiscriminately

Like applying for a job, sending out cover letters and samples of your work at random will not end positively. Agents want to know why you want to work with them, why you chose them, and why your work is relevant to their list. If you send work out randomly, you are less likely to get a positive response and may even be rejected by a publisher that would suit a novel you haven’t yet written. Get a good name for yourself, and focus on the agents that represent the type of work you have written. 

2 – The Cut and Paste 

I used to be a recruitment agent many years ago, and I can confirm that people can tell when a cover letter is cut and pasted. As other people may have taken the time to address an agent personally, those people are usually the ones the agent will go with. 

Instead of cutting and pasting the information in your cover letter and query, research the specific literary agent you are sending your work to, and tell them why you are the best fit for them and why they are the agent you would like to work with. The more research you do, the more likely they are to respond to you. 

3 – Querying Too Soon

When should you query? When your work is finished. A few things can come from querying too soon, and they are mostly panic, sweat, and grammatical errors. If you send off a few chapters of a novel you’ve written before it is complete, and the agent requests the full manuscript, you will either have to tell them that it is not yet finished or write through the night to get it to them. Either way, the work will not be as good as it might have been initially, which is a real shame. So, don’t rush to print – finish your novel and then send it out. 

So there you have it. The message is: Take your time, research, and show the literary agent exactly why you are the writer for them. The harder you work at this stage, the more likely you will have a positive response. 

Was this post helpful? Share it with another writer!

Looking for a similar read? Check out the following:

How to Book an Agent 1:1

5 Ways to Find a Beta Reader

Traditional vs Self-Publishing – Which is Right For You?

Categories
Publishing

5 Ways to Find a Literary Agent or Publisher

Are you wondering how to find a publisher or literary agent? Let’s chat about five ways to go about it.

You will notice that none of these mention searching on Google. This is for a reason. When you search phrases on Google like ‘Publishers open for submissions’ or the like, what usually comes up is a selection of vanity publishers. Steer clear of these! Whatever you do, always search for publishing house or literary agent reviews before you send your work to them. If they have poor reviews, it’s best not to get involved. Remember – you’ve got the goods, so read on to find out how else you can find an agent or a publisher.

1 – The Writers’ and Artists’ Yearbook
One of my favourites, this book is released every year and is chockablock with information that could help you get traditionally published. It’s laid out in a very easy to read way so that you can search for those who specialise in your genre. At the very least, check out their website for fantastic resources and information – it’s an excellent asset for writers everywhere! This is for the UK market. The US market has similar with the yearly Writer’s Market, and for those in the same part of the world as I am, you can use the Australian Writer’s Marketplace.

2 – Agent Databases
Agent databases are essentially search systems primarily for agents, and they allow you to filter through to ensure you are finding someone who matches what you have written. Good databases are Agent Query or Query Tracker.

3 – Literary Marketplace
An old school site but with a lot of information at your fingertips, Literary Marketplace is a great resource! You can also find independent publishers here. So, if you are looking to bypass an agent and go straight to a publisher, this might be the resource for you.

4 – Twitter
What? Twitter? Yes! Twitter can be awesome for finding agents. You can use hashtags to find them, and you can also get involved in pitch wars. Pitch wars is an event run on Twitter where writers can pitch to agents and have their manuscripts requested. This actually works – so if you are looking to get involved, set up a Twitter account, and search the hashtag #PitMad. You can also visit www.Pitchwars.org to learn more. The next date for this is 2nd September 2021. You’ve got this writer!

5 – Research
The classic. Research books like your own, the same genre, type etc. and find out who published them, who their agent was etc. Create a comprehensive list and get going with your querying!

So, there are five ways to find an agent or publisher. If you ever want to talk about querying or anything related to your publishing goals, whether it is your definition of success or how to find the right route for you, get in touch! I’d love to work with you on publishing your work.

Enjoyed this blog post? Here are some similar ones to read:

Traditional Vs Self-Publishing. Which is right for you?
When to Follow Up With a Literary Agent or Publisher
How to Deal with Constructive Criticism of Your Writing

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