Are You Comfortable with Your Status?
Oh, sorry, not you. Your character.
Let’s chat about it. Your character’s comfort in their status can say a lot about them. It can be a window into their mindset, confidence, and more.
Let’s explore this for just a moment (with an excellent example from How To Own The Room by Viv Groskop):
Your character is at a cocktail party. It’s a fancy, black-tie affair, and everyone is dressed up. Your character is wearing a suit, bowtie, and, it turns out, exactly the same attire as the waiting staff at the party. A peer walks into the room, looks around, and catches eye with your character. They go over, and instead of introducing themselves, they ask for a martini.
Now, pause for a moment…
What does your character do?
If your answer is that your character makes the martini, gives it to their peer, and laughs about it later with a friend, your character is happy with their status.
If your answer is that your character tells this person exactly who they are and that they should check themselves, getting irate, your character is unhappy with their status.
And so, if they’re unhappy with their status in society, in life, with their friends, what does this do to your novel? It creates a storyview* in which your character is prone to be the victim, ready to take offence, and quick to rise in temper. This, in turn, changes how you might introduce your character and what might drive your plot forward. Think of how they speak to other people (or dragons, depending on what you’re writing), how they dress, who they strive to be and where they want to go.
Could your character’s comfort level in their status be their sacred flaw? (Not sure what I’m talking about? Check out last month’s blog post!).
*Not a typo! Storyview vs Worldview is a concept explained by Jeff Vandermeer in Wonderbook – The Illustrated Guide to Creating Imaginative Fiction, chapter 6.
