Categories
Coaching Publishing

How Much Does a Developmental Edit Cost?

Money. It’s a difficult subject. But come on, let’s get into it.

Imagine you’re in need of a Developmental Edit (someone to review your structure, narrative, character development, and more) for your 80k word novel. You reach out to an editor (or more than one!)…

What can you expect in terms of cost?

Based on various factors, you should expect a range between*:

$2200/£1650 . . . . . . . . . . . . . . . . . . . . $3160/£2360

(Disclaimer: there will, of course, be instances that go lower and higher.) *Based on EFA and Reedsy standard rates

What are the factors that impact this?
  • Experience (someone more experienced will likely charge more)
  • Time in business (someone with a newer business may offer lower rates while they gather testimonials)
  • Complexity (if your work is complex, it may take longer)
What does it include?

Well, that depends too. Editors offer different services. For example, I offer a ‘Live Developmental Edit’. That means, in my Dev Edit package, I charge £0.020 per word, provide a workbook, in-text notes, an editing summary, and include 9 hours of coaching time to go through the edits. Some editors charge more per word and offer a report, so you might find that though we cost the same for a project, we provide different styles of feedback.

How are these costs figured out?

Editors charge differently. Here’s the average:

$0.028-$0.040/£0.021-£0.030 – per word

$50.00–$60.00/£37-£45 – per hour

$7.50–$10.00/£5.50-£7.50 – per page

Why is it so expensive?

Yes, hiring an editor can be expensive. Here are some of the reasons why:

  • The task is demanding, and as editing takes such intense focus, we can only spend a limited amount of time a day on it. It also requires time to think about the issues and the best step forward.
  • It requires specialist knowledge. For example, I studied in higher education for 8 years and have worked in this field for over 10 years. Experience costs money.
  • Most editors are running a small business. That means that there are lots of costs involved, including tax, office equipment, and bills to run them, websites, training, marketing, memberships, and much more. There’s also the stuff outside of that, like food and family responsibilities.
Anything else?
  • Most editors offer payment plans, so don’t be afraid to ask.
  • Be prepared to put down a deposit to ‘save your spot’!
  • Contact an editor well ahead of time, as we book up far in advance.

At the start of this year, I raised my prices in line with my expertise and experience. Still, I’m not near the top regarding charging per word, etc., but I am comfortable with my current rates. Between 2020 and 2024, I was charging below industry average. This often happens when someone starts a new business, as you need those all important testimonials and gaining a client base. I’m sharing this information for two reasons:

1: If you are looking at this slideshow and worrying that you won’t find someone within your budget, look around. You may find someone (like me over the last few years) who is qualified and experienced but working for a lower rate for a period of time to grow their new business.

2: To share an awareness of the industry pricing standard and what goes into it so that you can make more informed decisions in your search for an editor.

I hope this has been helpful!

Looking for a similar read?

What Does It Mean to Edit for Genre?

 

Categories
Uncategorized

5 Things to Consider When Hiring an Editor

Are you ready to hire an editor? Good question! When should you approach an editor, and how do you know you are ready? Well, here are some things to bear in mind:

1) What kind of edit do you need? 

There are different types of editing available.
A developmental edit takes into account narrative, characterisation, consistency, plot, world-building, and more. If you have finished the first draft, I recommend reading through it and making any changes before sending it off to an editor for a developmental edit.
A copy edit is when the work is reviewed and edited to improve its readability, ensure consistent writing, and take into account grammar, punctuation, and more. This is usually done after the work has been through a developmental edit and a few drafts in – almost ready for publication.
Proofreading is the last step! This checks for spelling, punctuation errors, missing words, typos, and those pesky things the human eye misses easily.

2) Do you know when you’ll need an editor? 

Editors usually book in advance because edits can take time. If you aim to have your novel finished by a certain time, bear in mind that you should contact editors ahead of this date to see what time they have available.

3) What kind of work does the editor prefer? 

Most editors have different preferences on their website, whether they only work with non-fiction, have a penchant for romance, or love YA fantasy. Peruse their website and consider what they prefer. Why? Because this usually gives you a hint at what they are most experienced in editing and reading. If they spend hours reading fantasy in their spare time, they will understand the tropes of your fantasy novel better than someone who has never read anything fantastical!

4) What is their experience? 

You should be able to tell what an editor’s experience is from their website. For example, do they have testimonials of happy clients, and what is their editing education? If there are neither of these things, it’s worth asking. This is because you want to ensure you have a great experience with someone who is trained, has the skillset to provide you with the service, and has previously worked well with other authors.

5) What is your budget? 

Editors are not cheap, and there is a reason for this. Editing is a big job that takes many hours and a high level of concentration. It also requires a particular skill level that your editor will have worked on for a long time. However, most editors are happy to discuss payment plans and ways you can afford their services. Never be afraid to ask them, because you might just be surprised!

If you have any questions about editing, feel free to get in touch and ask me. To learn more about the editing packages I offer, click on the editing page on my website! As a writer with a PhD, MA and BA in Creative Writing and a previous CW lecturer, I’ve done my fair share of high-level fiction editing, and have very happy testimonials. Get in touch today for dates, questions, and information. I’m always happy to chat! 

Categories
Coaching Craft

Writing Coach Vs Editor: What’s the Difference?

Should you hire a Writing Coach or a Developmental editor? What is each for, and how do you know how to move forward?

I have noticed that this question is bringing people to my website organically, so I wanted to answer it clearly so that people have that answer.

What is a Writing Coach?

A writing coach, also known as an Author Coach or Book Coach, is a trained coach who helps you through any writing issues. I have helped writers find the time in their busy schedules to write, create a writing routine that works for them, develop their novel ideas, and much more.

What is a Developmental Edit?

A Developmental Edit is an edit that focuses on the story. It is concerned with narrative, consistency, characterisation, dialogue – basically everything but the copy edit! When I provide a Developmental Edit to an author, it consists of my going through the work at least twice, and providing the client with an Editor’s Report and in-text comments and corrections, as well as an hour-long discussion/coaching session afterwards to discuss the work.

What is the difference between a Writing Coach and a Developmental Editor?

The difference is the focus. For example, I am both a Writing Coach and an Editor who offers Developmental Editing. When I am hired to coach, I have a series of sessions with the writer, and we work toward their goals through a series of jointly agreed action points. When I am hired to provide a Developmental Edit, I focus on the draft of a novel and write up an Editor’s Report, instead of live sessions with the author.

What stage should I be in to hire a Writing Coach?

You can be in any stage to hire a Writing Coach, from idea to fifth edit! As a coach, I can focus on whatever you would like to focus on. Sometimes that’s at the very start of a novel and is all about your idea, and how you would like the book to be written. At other times it’s after publication, and you want to work on marketing. As a writing coach, we can work together on any writing goal, however varied.

What stage should I be in to hire a Developmental Editor? 

To hire a Developmental Editor, you need to have a novel pretty much written. It could be that you hire someone to edit at a date a few months into the future, with the understanding that you will have completed the novel by then. However, the most important thing to know is that you will be required to hand over a manuscript to the editor on the agreed-upon date, so get writing!

What are the pros of hiring a Writing Coach?

As a writing coach, I can help you achieve your literary dreams. By holding space for you, identifying action points, and asking the questions that drive you to dig deep, you will leave a session with more clarity and purpose. Ultimately, coaching can help you succeed in your goals.

What are the pros of hiring a Developmental Editor? 

A Developmental Edit can give you expert advice on your novel. It will leave you with a roadmap of how to move forward, what needs improving, and how you can make your story the best it can possibly be.

Can I hire someone to do both?

Yes! In fact, I offer a great deal for someone who is looking for a coach AND an editor. This consists of six months of weekly coaching AND a full Developmental Edit when you are ready. If you want to know more about it, click here to find out – https://rachelgrosvenorauthor.com/coaching/

So, now you know the difference between hiring someone to be a Writing Coach or a Developmental Editor, and what is best for you.

As a Certified Professional Coach, trained by an ICF company and with an ILM Level 2, you can trust that my coaching skills are tried and tested. As a writer with a PhD, MA and BA in Creative Writing, and over six years of lecturing in adult education and at universities, I’m a professional writer specialising in helping others find their way forward. 

Any questions? Feel free to get in touch.

Want to read something similar? Check these out!

What is a Writing Coach?
4 Ways to Edit Your Own Writing